Wednesday, September 26, 2007

Commercial Application In Java






1_ 01
The first interest in the construction of the proposed degree, it the idea of \u200b\u200bintervening in the city's forgotten land. Land remains abandoned to their fate-places clear of life-rules obeying its soil have been cleared to leave with the title of "green areas" in urban planning.
These green zones, which appear as a good intention, the lack of action and imagination, ends up leaving them in a state of permanent disgrace. Transformed many times in micro-dumps or just neighborhood.












1_ 02
Retrieve these sad places mean, imagine an action under budget, according to their precarious condition, possibly detonate a destination in the best-reveal your "real" dimension.
is believed then, as the first test project, planting one of these places, install agricultural land in the middle of the city, thus generating a new "urban landscape." Planting a place of wheat or sunflowers, stained an area, or just leave a fallow area.




1_ 03
was this search, which allowed to find common ground, south west of the city - near Eden populations and Independence ", which appeared to meet the requirements of this" project idea. " The site had been given on loan to the community, specifically the neighborhood council sector, who sought to build of a perimeter fence, which would allow for future installation of a multipurpose. Thus, we participated in the development of a folder given to the municipality, in October 2006 winning the contest "participatory projects" securing funding resources and project implementation. ($ 2,850,000 .-)












1_ 04
The perimeter fence proposed by the community, "Eden" is presented as an "opportunity" a certain project, the distinct possibility of recovering a land abandoned to its fate ... Some of what I was looking for.




Where To Get Waxed In Charlston



2_01
The place has been around for over 30 years forgotten. It is a land of considerable size, among populations of colorful tattered closings as fences and corroded tin sheds. A clump of trees, a street to a park in the middle, the edges are coming. Its proximity to downtown means that there is heavy traffic in terms of self and pedestrian. The traces of a permanent transit have been stamped in place, marking a cross-shaped path. In the evenings the setting sun makes a strong, crossing in its entirety, on its longest side.
is strange atmosphere here is locked, if I could forget about the traffic (and a couple of things), maybe I could find where the more I'd rather be: in the middle of nowhere.



2_02
"... one of the core problems of any context (landscape, urban or architectural) is the content. To be effective, my work must be disconnected it already contains the site. One way to add to an existing context and, therefore, to modify its content, is to analyze and assimilate specific environmental components: border, borders, buildings, trails, streets, all the features of the environment. The place is redefined but not re-presents ... "
[1] Richard Serra.











2_03
Maybe, this reading, to imagine the possibility that encloses the construction of a perimeter that, installed in the manner of the "bodies of Serra" redefine your environment, placing value on an existing landscape.
All this has reminded me of the farm buildings photographed by Bernd and Hilla Becher, something similar happens to observe their "typologies."










2_04
always been called "an exceedingly-my attention: Drinking water, silos and mills. I think what attracts me is their attitude, how they show a side of the road. Silent and absorbed giants do not seem to pursue more claims. Dumb compared to an environment that although it seems alien to its nature, also seems to have been triggered by his presence.
This willingness to "be themselves", provides a dazzling clarity in its external reading. Subject to find meaning or beauty, if you think that all his work, lies in a volume of air lock, build an inner-which is nothing more that the emptying of its forms ...
Some of this is what I'm looking for.










2_05

But ... How do you build a "silo" that aims to be the closure of a sport fields?
The issue seems to be a problem of transparency. Perhaps, what is needed is the construction of a volume is not completely opaque. Body but rather a blur, allowing content and ensure its environment. Maybe, just enough offal a landscape, as happens in some drawings and prints by David Hockney. Perhaps there is an average.











2_06
Taking into consideration the content of the site is defined an elliptical path, spread over one of the diagonals of the field, which allows registration of a sport fields (26.0 x 14.0 m.).
About this track stands a continuous closure, generated from a construction of homogeneous folds 90 degrees plus a continuous embedding of 0.6m., Which enables self-bracket of an electro-welded mesh ACMA (5.00 x 2.60m.), thus forming a thick monotonous structure. On this first closing
structural raschell installed a mesh, from 0.15m. up to 4.3m. high (top), setting a profile L that goes through all the interior points of the mesh ACMA, building a tight, continuous ring allows filtering the light, giving a certain degree of opacity.
addition to the above are built around boxes of flooring, tile-drawn lines, which together with dial access and water bowl, set the elliptical path of closure to the perimeter of the site.
Finally, a red mark on the ground that, as a path of court, delimits a field of action, defining a perimeter with a thickness of 3.00m, which announces a field, as a sign of celebration.































































2_07
All this effort, will perhaps make to this end sought by the community, a place that "expanding the public mind" as we say Smiljan Radic for the project "Court in Culiprán" find a reason:

Pattern Forkniited Paposse



3_01
"... Building a place of collective use less and less seems to be endlessly redesigned seats, poles, sinks or floors. This would have consumed large possibilities. Build it means expanding the public imagination, drawing and often only blur an image around which different memories meet, intersect, without even attending the event ... "
[2] Smiljan Radic.
interesting thing about this reading is that you can imagine, a chance to build on these uninhabited places, and not a place of collective use "equipped with furniture," as it is customary to see in parks and squares, but rather a landscape, to "expand the public mind", giving new meaning and destiny.











3_02
Finally, this intervention "without grass in a green area", but with a pair of tights and a constructive logic elementary, plus a few boxes of floor tiles in the main square of Talca, will extend a simplified imaginary stories, or as we say the architect Germain del Sol, in the Project-Dynamics:

"... an architecture get what you need as a gift, without missing what is missing, but rather, finding the problems the opportunity to bring covert ... " [3] Germain del Sol


Formula Of Carnuba Wax



1. Richard Serra, Matter of time, pp.45, Editions Steidl, 2007.
2. Smiljan Radic, Triptych for the project "Court in Culiprán", 1999.
3. Germain del Sol, in the Project-Dynamics: http://proyecto-matices.blogspot.com/

How Do You Welcome Someone In Spanish

bibliography pictures and photographs. LIST OF MATERIALS

01 Field forgotten Population Nazareth, Talca, Chile, August 2006. 02
Country plow Colbun-Chile, April 2005.
Melgas 03, en route to Santa Olga, Chile, May 2004. 04
Viñas, way Nirivilo-Chile, February 2005. 05
Field of sunflowers, Duao-Chile, November 2005.
06 to 07 farm, reference images, Waterloo Project, Rodrigo Pérez de Arce, Alan Gordon Morris Architects, ARQ Magazine No. 18. 08
Dryers pepper, Villa Prat, Chile, in October 2005. Shed of corn
09, San Javier, Chile, March 2004. Photomontage
10 "Square wheat" test project, in September 2006.
11 Model "Plaza of wheat," test project, in September 2006. Satellite Image
12, Population Eden, I. Municipalidad de Talca, Talca, Chile, January 2004. Series 13-19
Place Project, Population Eden, Talca, Chile, September 2006.
20 Double Torqued Ellipse II, Richard Serra, 1998.
21 circles in the Landscape, Richard Long. 22 Types
Water Cups, Bernd and Hilla Becher, 1972. Castillo
23 hatch, David Hockney, http:// David/hockney/85.2prg.com /. Series 24-26
Silos, Students UNAB, Angostura, Chile, May 2007.
Polaroid 27 Series, David Hockney. 28 Malla
Acma, Bodegas Homecenter, Talca, Chile, October 2006. 29-64
Work in Progress Series, Population Eden, Talca-Chile, May-August 2007. 65
Coloured Rocks, Glen Murcut.
66 Camino de greda, http://trigo/pr/pos/geada/a001/grd.com/.
67 Vista Aérea poblado Masai, Amboseli- África, revista “Viajes” National Geographic, Nº 59.
68-70 Serie baldosas en demolición, Plaza de Armas Talca, Talca-Chile, Diciembre 2006.

Gamefisher Outboard Motors



0002 bolsas pintacal
0015 tablas pino bruto 1 x 5"
0012 listones pino bruto 2 x 2"
0003 kilos clavos 2 1/2"
0018 m3 ripio
0022 m3 arena
0009 m3 estabilizado
0027 m3 maicillo
0067 bolsas cemento
0026 bolsas cal hidráulica
0075 planchas malla ACMA C-188 2.60 x 5.00 m (d=6mm)
00 6 barras perfil steel angle 30 x 30 x 2mm 0002
profile angle steel bars 80 x 80 x 4 mm
tubular steel profile rods 0002 3 "x 2mm bars
0002 tubular steel profile 2" x 2mm
rectangular steel profile rods 0004 100 x 50 x 2mm 0002
Fe 8 mm plain bars
0012 kilos welding E6011 1 / 8 "green dot
0010 metal cutting discs 7"
0130 ml 80% white raschel mesh 4.20m 0030
raschel mesh bags
clips kilo 0001 # 10 wire
0020 No. 14 kilos wire
0001 gallon 0001 gallon corrosion

0001 liters black enamel thinner 0001
brush 2 "
0002 0800
locks 60 mm square tiles 200 x 200 mm square tiles
1400 250 x 250 0160
mm square tiles 300 x 300 mm hexagonal tiles
0200 L = 200 mm
0077 kilos of red color soil.

Sunday, September 9, 2007

Some Hot Ecchi Harem Anime



El proyecto se concluye, y nos vamos preparando para la despedida y el cierre, después 15 months of work in Joal-Fadiouth at this late stage, and 5 years from the beginning of the project.

In July and August were the last workshops planned in the training program:

workshop traditional dyes and dye batik ... workshop ... and processing of fruit and vegetables, canned goods, juices and jams.














The other productive activities and training initiatives continue to evolve, expanding the number of participants, and encouraging participation of younger women, who generally are less involved in the project that the "mothers" as respectfully called the ladies of a certain age. The hierarchy of age is very strong, is due the utmost respect to anyone older than you, especially if old enough to be your mother ...


The Management Committee consists social center, and have drafted rules functioning and program of activities for the coming year.

are distinguished 3 sections Within the social center : kindergarten, community hall and workshops.

The nursery , in operation since 2003, will remain open, now occupying more space and enhanced equipment, expect around 100 n hildren and girls in 3 preschool classes.

The s Community Wing , where there will be future seminars, conferences, literacy training and theoretical training. It has full sound equipment for conferences and ceremonies, detachable stand, chairs, blackboards ... is open to the community, any association or individual can use, in agreement with the school management.

The workshops, the workspace of the Dynamique femme. This will be the practical training and productive activities: bleach, soap, shea butter, traditional dolls, tints, embroidery, sewing, fruit juices, jams, canned vegetables, millet couscous ... have an indoor room and an area of \u200b\u200bsemi-outdoor work with batteries and washing.

has also reserved space for internet cafe , installed with computers donated by the NGO COMPUTERS WITHOUT BORDERS and NEW TECHNOLOGIES FOR AFRICA , and other private donations.

In the month of October a delegation from the council will financier Fuenlabrada, to make official opening of the center. For the time will come also a representation of the working group Senegal, the demarcation of Madrid .